Paul Epworth Photo Gallery . It adds such value to a studio because it’s a niche board.
Producer.
The studio was badly out of date and no one seemed prepared to take it on.
“I called David 24 or 48 hours before he was due to exchange contracts with the developer and said ‘don’t sell it!’” recalls Paul, who is best know for his co-writing and production work with Adele. We were looking to make it into a commercially viable studio in 2014 and realised that there was hardly any isolation between Studio 1 upstairs and the SSL room downstairs. They sound like a 20,000-Watt hi-fi and you can hear half dB changes across the whole frequency range. In his search for the perfect studio, award-winning British producer Paul Epworth (Adele, Florence + The Machine, Coldplay) happened upon an unusual …
25 July 1974) is an English record producer, musician, and … I can only say the overall effect is truly more “analogue” somehow and every studio should have one!” Paul Epworth. Hopefully all this gear will make it more inspiring for others as well.”One of the attributes of the Church that attracted Paul was the acoustic qualities of the building. However, for …
6th March 2018 #1. cfalkosky ️.
Here we’ve got guitars, amps, keyboards, samplers, drum machines, modular synths, and this is all stuff that I’ve bought for inspiration.
Learn more Reply OPTIONS. The complex is comprised of the large live room and vintage Neve console in Studio 1, an SSL room downstairs in Studio 2, and Studio 3's writing room.
One of Europe’s leading commercial recording studios, the award winning space is owned by Paul Epworth and located in the heart of Crouch End, North London. Paul Epworth is a British record producer, musician and songwriter, his production credits include many successful artists including Adele, Florence and the Machine, Bloc Party, The Futureheads, Babyshambles, White Rose Movement, Maxïmo Park,Kano, Sons and Daughters, The Rakes and Kate Nash. That was until Paul Epworth stepped in.“I called David 24 or 48 hours before he was due to exchange contracts with the developer and said ‘don’t sell it!’” recalls Paul, who is best know for his co-writing and production work with Adele. It took a year to complete from the moment I took the place on.“There’s also a side room that we managed to refit and turn into a writing room.
From paulmccartney.com:
The SSL 4000G console was one item Paul decided to keep and renovate for Studio 2, enabling him to save his 72-channel Neve for Studio 1.“There was loads of good gear here and I already had loads of gear myself, and the two dovetailed together quite nicely,” explains Paul. His debut single, "More Is Enough", featured In 2004–05, Epworth produced a quartet of critically acclaimed releases, including two Mercury Music Prize nominations in In 2007, Epworth began to contribute more co-writing credits alongside his production. The Church Studios complex in north London's Crouch End is brought to you by award winning producer, Paul Epworth. I might be pushed to say quarter dB changes.
People don’t have the budget for big studios so we wanted to serve people making records in that format. There’s also a long balcony where much of the studio’s backline equipment is stored.Studio 2, centred around an SSL G4000 console, is downstairs, and has two live rooms.
We sold some outdated converters and an API mixing desk, which I’d love to have kept but it just didn’t make sense with the Neve.“I originally bought the Neve to put in another building. Paul Epworth is a great young record producer who has amassed some impressive production credits to his name and recently won a 'bunch' of Grammy's for his work with Adele.Paul Epworth is a British record producer, musician and songwriter, his production credits include many successful artists including Adele, Florence and the Machine, Bloc Party, The Futureheads, Babyshambles, White Rose Movement, Maxïmo Park,Kano, Sons and Daughters, The Rakes and Kate Nash.Paul is well known for his remix work as the "Phones" and began to attract recognition with his work on some Bloc Party tracks. But Paul had an idea for us to write something new.
Also downstairs is the smaller Studio 3 with its own booth. You could hear a drummer playing upstairs when you were down in the SSL control room with all the doors shut!“To float all the rooms we had to demolish what was there. Max Martin / Paul Epworth Studio Monitors. It has a Pro Tools setup, a Shadow Hills Equinox summing mixer, and there’s a Neve 20-channel sidecar so you can use the mic amps for tracking, but if you want to bus to the summing mixer through the Neve board or an SSL bus compressor, you can build a mix up like that.”Although a lot of the internal structure of the studio had to be replaced, not all of equipment was obsolete.
When it became known that leading UK Producer Paul Epworth was on the hunt for a studio facility of his own, Gray made the call and a changing-of-the-guard was eventually agreed in October 2013.
Paul McCartney, about working with Paul Epworth. “We have some curtains that David Gray installed, which partition the room and they work very well.”Paul has also tried using the stairwell and bell tower as echo chambers, with some interesting results. Every bit of equipment, effects unit or instrument a musician could possibly desire. Paul admits that it’s so popular he’s going to find it hard getting in there himself!“I’m here five days a week, quite often 16 hours a day,” says Paul, “but if a client wants another room I’ll try and move myself around to accommodate them, so I work between all the rooms.”For Paul, his new studio more than a place of work.
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