John K Stuff: The Joys Of Working With Vincent The Joys Of Working With Vincent It's hard to imagine 2 cartoonists with such different styles as Vincent Waller and I - and that's one reason why I like working with him. Vincent draws much better than me on a technical level, and his influences are probably a somewhat different group than mine. 1 win & 6 nominations. Ren’s greed blinds him to what he’s doing to Stimpy and it’s so touching when he shows concern for Stimpy at the end (and then they blow it with that asinine non-sequitur ending which made my sister cry when we first saw it). Of course Vincent will always be famous for his contributions to major classics like Nevertheless, his drawings support the gags that make his own cartoons worthwhile. The classic Circus Midgets gag comes back, but the recycling is made totally worthwhile by that fast piano tinkling while the fire chief apologizes and explains his behavior. The only gag in here I dont like very much is the one with the mosquitoes, because its nothing but a bunch of insects acting like smart alecy thugs and leaving Ren with a lot of lumps on his face.
Check out the lineup of new movies and shows streaming on Netflix this month, including Looking for some great streaming picks? Billy's performance of Ren is starting to reveal his limitations, with Ren constantly sounding raspy, but at least he tries, and does regret effectively when Ren has to comfort Stimpy.
He is known for his work on Its a cool gag and all but I didnt laugh hard at it or anything.
The way I see it, his two cartoons make all the difference between a good Spumco cheater and a typically crummy Games episode. If John K. was responsible for the complex characterization that gave Man’s Best Friendits backbone, Vincent provided the insane twists on ordinary household events that augmented it. The reason is that its packed with some real gags and not stupid gross jokes like MSMD or The other great gag involves Ren drinking polluted water polluted by beavers.
Without the necessary backbone BBS isn’t a very substantial cartoon – no matter how unique it is you’ll laugh at it a few times and put it away for good. The best part is, he was trying to avoid drinking beaver-contaminated water but inevitably drinks it anyway. Stimpys initial speech about rubber nipples (the first time Billy West took on that religious tone in fact, that would annoy me so much in the Games episodes) relies a tad too much on the shock factor of the world nipples, but its so well-constructed itll make me laugh when Im in the mood. Its the gag in the cartoon that Id call lower-tier Games quality. Because it's mostly his ideas I've stuck it back here, remiscient of the The surreal plot has Ren and Stimpy living in a bird house that looks like a real house on the inside, which they convert into a factory so Sitmpy can hwarf hairballs which are now valuable due to their many recently discovered uses. Yet I feel compelled to make a page for them because they are different from every R&S cartoon, and despite being cheaters, he managed to create his own directing style only remotely tied to John K's. Otherwise the rest of it is enjoyable to watch. I saw the cartoon first without the bath, and frankly, when I did see it, it wasnt a revelation.
Grandpa was originally recorded whistling a country tune made up by John K., but someone at Games changed it to What I do know is that on subsequent airings the Family Bath (which I won't bother describing; the name says it all) sequence was excised altogether.
Vincent Waller was born on September 30, 1960 in Texas, USA.
Vincent Waller only directed 3.5 cartoons, and only completed one of them himself. You pretty much have the gist of the gags by now. Another Maybe the whistling thing ruined it?
Again, Vincent is willing to pull a few twists on regular conventions to deliver the gags Those shots of Ren in fatter proportions for instance and the animation has a syrupy feel to it that works wonders with the art. Horse doesnt throw a psychotic tantrum, instead his paranoid monologue implies all kinds of sinister goings-on in his life, and the walrus totally makes this scene it frightens me a little when he shows up. Originally I had this on the Misc. Vincent gave Ren huge beady eyes and the mouth and teeth poses for both Ren and Stimpy are framed by these odd, square-like shapes. And this scene goes on too long. The sudden cut from Ren kicking the baby out the window to him and Stimpy in the crib sends me to heaven every time I see it. Ren and Stimpy page, since Vincent didn't finish directing it. Vincent Waller was born on September 30, 1960 in Texas, USA. The looking to the left and right adds a paranoid twist to the gag not present in After this comes the most famous scene in the cartoon, and my personal favorite as well, the scene where Ren and Stimpy try to sell their rubble nipples to Mr. and one more you'll have to guess on your own. Horse, whos already get up in plenty of rubber outfits. Hey, he didnt supervise this thing in Korea for nothing. With the exception of Enough of this nit-pickery, Ill be the first to admit all the trimmings, staging, aesthetics, etc. When Dad moves the couch in Vincents scenes dont plod like Bob Camps, yet they're not wild and frenzied like John K's. That might be funny enough for some people though I want more creative gags in that sequence to raise the rating.
Rubber Nipple Salesmen*Big Baby Scam*The Great OutdoorsThe Cat that Laid the Golden Hairball One of the most famous edits in R&S history is in here, the Family Bath scene. Michael John Kricfalusi (/ ˌ k r ɪ s f ə ˈ l uː s i /; born September 9, 1955), known professionally as John K., is a Canadian animator, blogger, music video director, and voice actor. Would you like to make this site your homepage? Its clear to me that Vincent Wallers cartoons were cheaters as well as Bob Camps, because they all lack the depth of the John K. classics, including the ones Vincent had a heavy hand in.
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