This was how it was created…by accident when one of Dave’s workers brought home Studio blanks and worked the MB chambers into them… I believe Jeff Powell, (Guardala’s partner), said he designed the original MB II for a tour Brecker did with Paul Simon, (as an aside, Jeff also said Michael didn’t use it). What more facts do you need! So if you have a really old Trad, it could be the same as a MB design.-MojoI have a friend who was at his master class and saw the inside to his mouthpiece and said it was a roll over baffle no step up at all…-unknownWe originally had two mouthpieces- Studio and Traditional. Love your insight into mouthpieces, as well as your playing PS – I still have about 8 mouthpieces besides the DG custom in my case for different situations. I called Dave on the phone when he had ads in Downbeat and asked him to make me a soprano piece. “Practice things that are going to be practical.” [!]26. Though I can tell the difference any day of the week and prefer MB on the Guardala, he sounds more like himself on a Dukoff than anyone I’ve heard trying to sound like him on any DG model. Why he listened to guitar players: “Pretty much my playing is generally mimicking other things I’ve heard. I was ecstatic! He pre-empts the inevitable “What’s your setup?” question. Changing up gear only has one impact on my playing – how HARD I have to work to sound like me. I’ll try to take some good pictures, or have my daughter take some and try and add them to the discussion. Then Dave said, I can do that too. I heard that this was finally the actual mouthpiece that Michael Brecker actually used. )BUT, what of all the people that claim otherwise? It was really good. My current setup is a 1957 Mark VI tenor with a Ponzol M2 #110, and a Fibercell MS Black Onyx reed. When Michael decided he would play the Traditional we renamed it Brecker. Matter of fact, I think I am mainly a tenor sax player because of Michael Brecker. 1-Minor Chords (Digital PDF Book)The Best Embouchure for Tone, Intonation and Endurance LessonDevastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) SteveLittle off topic…Steve, you should definately review the Seventh Avenue South replica MBII by Retro Revival!Hi Ed, Have you tried out the Retro Revival MBII yet?There are some awesome new uploads at the one and only Michael Brecker Archive homepage:Thanks Philipp! Oh well. Very different from I’m use to. After all, Brecker is Brecker, and there was only one. I was fortunate to get to know Mike a year or so before he got sick. By all accounts he gigged on it, but in what year or for how long I don’t know. Enjoy the day!I remember trying a couple of Guardalas when they first hit the market. This ominous posting from an unknown source confirms all the rumors and conspiracies that I have heard! The slope is fairly steep though. It was an MB. I developed a sliding hiatal hernia from over-blowing and playing on a resistant setup, so I also switched to a much easier one. It’s is a very special mouthpiece. Mine was a little freer blowing but sounded the same. On playing with Pat Metheny (if you haven’t seen it, GO CHECK OUT 29. Everyone who knew Brecker would tell you how genuinely humble and down-to-earth he was, and you really get to see that in these remarkable clips. They are like a “For Dummies” version of all the books on my shelf. The problem was back pain and spasms playing these 2 mouthpieces. (2:55)14. I won’t post the serial number,but I will tell my story.I bought an early one in SLC,Utah for $100 from a local tenor player. On transcribing and the utility of learning solos or parts of solos: “If I hear anyone play a phrase [that] gets my ear, I try and figure out what it is.” (2:56)8. Thanks, SteveI’m so confused, LOL. This 1984 clinic at The University of North Texas wraps up our Michael Brecker series on #InTheShed.
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