(Photo courtesy of HBO Documentary Films.) After a five-year layoff from films after Inevitably, the tragic night in November 1981 off Catalina must finally be confronted in full, or at least as comprehensively as Wagner sees fit to describe it. Gurdin, who’d die in 1998, is even touted as blaming a close friend of Wood’s for her demise. The child of Russian immigrants, she was discovered in 1941 and put into films at age 4 (she owes her surname to one of her first directors, Sam Wood); was an engaging child actress in films such asWood was married twice to actor Robert Wagner, once from 1957-62, then again in 1972, and they had a daughter, Courtney. Wood, 16 at the time, was in a well-known relationship with the director, who was 44. “Natalie Wood: What Remains Behind” is at its best when it eschews Wood, the celebrity, and focuses on Wood, the mother. Movie star Natalie Wood is the focus of “Natalie Wood: What Remains Behind,” an official selection of the Documentary Premieres section of the 2020 Sundance Film Festival.
Sure, Gregson-Wagner and others cite Wood’s performance in “Inside Daisy Clover” as drawing from Wood’s issues with stardom, with that character’s eventual mental breakdown being cited as similar to Wood’s. Considering how sanitized “What Remains Behind” is with regards to Wood’s rebellious tendencies it’s a strawman argument to situate Wood against famous self-destructive stars.
Microsoft may earn an Affiliate Commission if you purchase something through recommended links in this article. She could be referring to the mysteries around Monroe and Presley’s death but, even then, the argument is tenuous.For classic film fans who consume any Old Hollywood media, “Natalie Wood: What Remains Behind” is light on new revelations — but is a sweet eulogy from a daughter to her mother. But everyone appears to draw a dark line in the sand that Wood wasn’t necessarily troubled herself.It’s almost ironic that despite the attempts to give “What Remains Behind” a more authentic mien, so much remains mired in conjecture and hearsay. They and other participants describe a not-uncomplicated but bountiful and, in the end, close-knit family life, and the subject herself comes off as friendly, well-balanced and un-neurotic, certainly by Hollywood child-star standards.Veteran Hollywood documentarian Laurent Bouzereau (But after skating through this eventful life one time, up to her shocking death by drowning at age 42, Bouzereau flips the calendar back to the beginning to take a more detailed and probing look at some of the underpinnings of what we’ve just seen and heard.There’s talk of the pressure young Natalie felt from the earliest age to earn money for her family; the strong suggestion of initiation into sex and drugs provided the 15-year-old by Intimations of suicidal moments pop up, although these are hard to square with her devotion to her family. Natalie Wood was a movie star for 35 years and she’s now been gone for longer than that, so this fulsome account of her career and life is an entirely welcome arrival. Using beautiful archival pictures and footage from Wood’s films, her life as a Russian-American actress drawn into stardom is documented. Go in knowing who’s controlling the narrative and you’ll get what is expected.Interviews with leading film and TV creators about their process and craft.Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox 'Natalie Wood: What Remains Behind': Film Review | Sundance 2020Show full articles without "Continue Reading" button for {0} hours. The talking heads consider it little more than a naughty attempt by Wood to be an adult, with the overall tone being ‘times were just different then.’ The allegations of rape against a teenage Wood, documented in Suzanne Finstad’s comprehensive biography on the actress, doesn’t even warrant a mention.The documentary’s third act sees Gregson-Wagner sit down with stepfather Robert Wagner for an in-depth discussion about Wood’s final days. Very much a family-endorsed affair, one prominently populated by her husbands, children and friends, The essentials of Wood’s life are related in general terms in the film’s first act. As a result, it’s easy to see why Wood herself was such a devoted mother and kept her children out of the public eye.
Much like Wood herself, who desperately tried to separate herself from her onscreen persona, Wagner talks about dreaming that one day she’ll have that connection to her mother that comes through in pictures of the pair.Unlike other child stars, your Judy Garland’s for example, Wood was driven to stardom by a domineering mother but her rebellion never manifested in drugs or alcohol. Natalie Wood was a movie star for 35 years and she’s now been gone for longer than that, so this fulsome account of her career and life is an entirely welcome arrival. Patiently and emotionally going over it all again at length with Natasha sitting quietly in their home, Wagner acknowledges the rough seas, the drinking, an argument and his anger, Christopher Walken retiring to another cabin, the presence of the captain, and Natalie finally disappearing over the side in the dark of night.
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